https://vilzadesouza.webs.com/apps/photos/ Acta De Libertad Acta De Libertad 122x601/2 Acrílico Impresionismo https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720367 99720367 Acta De Libertad 122x601/2 Acrílico Impresionismo https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720368 99720368 Alicia Alonso 40 x 50 ½ Acuarela en Cambas Alicia Alonso Alonso was born in Havana, Cuba. She was the one of two daughters of an army officer and his wife. The family was financially comfortable and lived in a fashionable section of the then-vibrant capital. Alonso indicated at a very early age, produced an affinity for music and dance - her mother could occupy her happily for long periods with just a phonograph, a scarf, and some records. She started dancing at the age of seven and at the age of eight, she studied ballet at Sociedad Pro-Arte Musical in Havana with Sophie Fedorova. A year later she performed publicly for the first time in Tchaikovsky's Sleeping Beauty. Alonso danced in Cuba under the name of Alicia Martínez. The dancer's rapid progress in her lessons came to an abrupt halt in 1937, when the 15-year-old fell in love with a fellow ballet student, Fernando Alonso, whom she married. After her marriage, she changed her last name to Alonso. The new couple moved to New York City, hoping to begin their professional careers. There they found a home with relatives on the Upper West Side of Manhattan, near Riverside Drive. Alonso soon gave birth to a daughter, Laura, but managed to continue her training at the School of American Ballet and took private classes with Michel Fokine, Alexandra Fedorova, Enrico Zanfretta and Anatole Vilzak. She then arranged a travel to London to study with the renowned Vera Volkova. Meanwhile, her husband had joined the new Mordkin Ballet Company in New York. Nearly mad with impatience and still partially blind, Alonso traveled back to New York in 1943 to begin rebuilding her skills. However, before she had barely settled, out of the blue she was asked to dance Giselle to replace the ballet Theater's injured prima ballerina. Alonso accepted and gave such a performance that the critics immediately declared her a star. She was promoted to principal dancer of the company in 1946 and danced the role of Giselle until 1948, also performing in Swan Lake, Anthony Tudor's Undertow (1943), Balanchine's Theme and Variations (1947), and in such world premieres as deMille's dramatic ballet Fall River Legend (1948), in which she starred as the Accused. By this time in her career, she had developed a reputation as an intensely dramatic dancer, as well as an ultra-pure technician and a supremely skilled interpreter of classical and romantic repertories. https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720369 99720369 Ariadne 61x91 Óleo y Acuarela https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720370 99720370 Búsqueda 76 x 61 Óleo https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720371 99720371 Camino 76 x 61 Óleo https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720372 99720372 Carlos Espinal 40 x 50 ½ Acuarela en Cambas Carlos Espinal Carlos has been part of the Latino theater movement in the United States and his native country, the Dominican Republic for more than two decades and has worked for Teatro La Tea of New York as Artistic Director, for an extensive period of time. His credits include work at Repertorio Español, Circulo Theater, IATI Theater, Sociedad Educativa de Las Artes, Prometeo, Teatro Arte Unido, among others. In 1984 he participated in the famous Joseph Papp ?Latino Theater Festival of New York?. Carlos stood out as director, actor, and theater trainer of new talent, television and radio host. Carlos graduated from the Fine Art Palace School of Performing Arts, the American Musical and Dramatic Academy of New York, among others. At 17 years old he made his professional debut as a stage director, attracting the attention of the national press and the public support with sold out presentations. During the premiere of "Caligula" the play that catapulted his career as a leading actor, outside the theater, hundreds of people protested, because the show was sold out and they could not see Espinal?s famous characterization of the Roman Emperor. He is also noun by his portray of ?Amadeus" the masterpiece play by Peter Shaffer and he also received Standing ovation and an award as Best Actor for his performance as Molina in the Spanish version of the Broadway musical "The Kiss of the Spider Woman". He has been seen in the TV show Law and Order (as Chuy Badillo) among some of the great American television stars. After a career spanning 30 years and a vast curriculum of over 50 shows, and the most positive reviews any actor can wish, Carlos also was the voice of Cafe A La Media Noche ( Midnight Coffee), the most relevant late night radio show of the Dominican Republic. At the present Carlos is travelling with ?30 Years Of Love, Passion & Tears? an exhibit and performance of his theatre Career and work as a poet. For all his accomplishments, Carlos Espinal is one of the Latino values that make us proud. https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720373 99720373 Conquista 122x601/2 Acrílico Impresionismo https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720374 99720374 Creación Óleo 102 x 76 https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720375 99720375 El Amor Todo Lo Puede 591/2 x 49 Óleo https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720376 99720376 El Otro Lado 40x51 Acrílico https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720377 99720377 Equilibrio Óleo 91x61 https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720378 99720378 Nacer De Nuevo Óleo 60 ½ x 76 https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720379 99720379 Otoño 60 ½ x 122 https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720380 99720380 Ovejas 75x61 Cubismo https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720381 99720381 Pablo Neruda 40 x 50 ½ Acuarela en Cambas Pablo Neruda (July 12, 1904 ? September 23, 1973) was the pen name and, later, legal name of the Chilean writer and politician Neftalí Ricardo Reyes Basoalto. He chose his pen name in honour of the famous Czech poet Jan Neruda. Neruda was accomplished in a variety of styles ranging from erotically charged love poems like his collection Twenty Poems of Love and a Song of Despair, surrealist poems, historical epics, and overtly political manifestos. In 1971 Neruda won the Nobel Prize for Literature. Colombian novelist Gabriel García Márquez once called him "the greatest poet of the 20th century in any language."[1] Neruda always wrote in green ink as it was the color of "esperanza" (hope). On July 15, 1945, at Pacaembu Stadium in São Paulo, Brazil, he read to 100,000 people. During his lifetime, Neruda occupied many diplomatic posts and served a stint as a senator for the. When Conservative Chilean President González Videla in 1948, a warrant was issued for Neruda's arrest. Friends hid him for months in a house basement in the Chilean port of Valparaíso. Later, Neruda escaped into exile through a mountain pass near Maihue Lake into Argentina. Years later, Neruda was a close collaborator to socialist President Salvador Allende. When Neruda returned to Chile after his Nobel Prize acceptance speech, Allende invited him to read at the Estadio Nacional before 70,000 people. Neruda was hospitalized with cancer at the time of the Chilean coup d'état led by Augusto Pinochet. Three days after being hospitalized, Neruda died of heart failure. Already a legend in life, Neruda's death reverberated around the world. Pinochet had denied permission to transform Neruda's funeral into a public event. However, thousands of grieving Chileans disobeyed the curfew and crowded the streets. https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720382 99720382 Rigoberta Menchú 40 x 50 ½ Acuarela en Cambas Rigoberta Menchú Tum (born 9 January 1959, Laj Chimel, El Quiché, Guatemala) is an indigenous Guatemalan, of the K'iche' Maya ethnic group. Menchú has dedicated her life to publicizing the plight of Guatemala's indigenous peoples during and after the Guatemalan Civil War (1960?1996), and to promoting indigenous rights in the country. She received the 1992 Nobel Peace Prize and Prince of Asturias Award in 1998. She is the subject of the testimonial biography I, Rigoberta Menchú (1983) and the author of the autobiographical work, Crossing Borders. Menchú is a UNESCO Goodwill Ambassador. She has also become a figure in indigenous political parties, ran for President of Guatemala in 2007. https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720383 99720383 Rompiendo Barreras 122x601/2 Acrílico Impresionismo https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720384 99720384 Ruben Dario 40 x 50 ½ Acuarela en Cambas Félix Rubén García Sarmiento (Metapa, January 18, 1867 ? Leon February 6, 1916), known as Rubén Darío, was a Nicaraguan poet who initiated Spanish-American literary movement known as modernismo (modernism) that flourished at the end of the 19th century. Darío has had a great and lasting influence on 20th-century Spanish literature and journalism. He has been praised as the "Prince of Castilian Letters" and undisputed father of the modernismo literary movement.[1] Darío is revered as Nicaragua's greatest diplomat and a leading voice of Central and South America. https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720385 99720385 Todo Soporta 91x73 Óleo https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720386 99720386 Vicente Fernández 40 x 50 ½ Acuarela en Cambas Vicente Fernández Gómez, born February 17, 1940,[1] simply known as Vicente Fernández, is a Mexican singer, producer and actor. Known as "Chente" or el "El Charro de México" (The Charro of Mexico) and "El Rey" (The King) throughout the Latin world, Vicente Fernández, who started his career singing for tips on the street, has become a Mexican cultural icon, recording more than 50 albums and contributing to many movies. He is the father of the popular singer Alejandro Fernández. Although less well known to English-speaking audiences, he has consistently filled stadiums and venues throughout his 35-plus years of performing. His repertoire is pure ranchera, a style described by Daniel Chang of the Miami Herald as representing "the Mexico of old ? a way of life romanticized by rural ranches, revolution, and philandering caballeros". He has sold over 50 million copies worldwide. https://vilzadesouza.webs.com/apps/photos/photo?photoID=99720387 99720387